“Dark Eyes and Careless Hair”
@Two Men
“Everything I touched was gold, and everything I loved got broken, on the road to Mandalay.”
Road to Mandalay, Robbie Williams
Evenings were sacred to my father. Even when he was at home. He was not to be disturbed and we did not need our mother to tell us that. It was the way my father sat slumped on his side in his favourite sofa, the radio to BBC Focus on Africa loudly tuned. Sometimes I used to think he might be sleeping but whenever I crept past the sitting room where he was, I could see by the lowering of the Johnnie Walker in his glass, he had not been asleep. In that time no one dared approach our father, not even our mother. The heartbeat of the house on tiptoes, waiting, waiting for that bellow when he would demand, “When is the food ready? Isn’t the food ready?”
I spend most of my evenings alone. When I can be at home. Which is often these days because usually Madeline has not yet returned from University. I check in on the children who sit around the dinning table grappling with their school homework before I can let them watch TV, call Maria the cook to inquire how she is doing in the kitchen but I tend to be alone much of the evening, in the room that is supposed to be our home library. Yes, sometimes I do take down a book and read from one of the many books I used to buy when I was living on my own but what mostly amuses me flicking through the pages are the margin notes I made then when I still believed that life could be learned from books.
Most of the time, in the dark in that room, only the shaded desk lamp on, I listen to music. I play over and over the music that I used to listen to. Some new music that I like. On some evenings when I do not think that Madeline will come later than usual, when I have borrowed the weekly cartoon DVD for the Aaron and Tezira, instructed Maria that I must not be disturbed, I bravely listen to the music that was our music. The music that brings Madeline, Mustafa, my father, and everything flooding back. Assured that no one will see the way I become, listening to Michael Learns to Rock, Some Day, the red gleaming bursts of the radio in the dark counting down the songs, flickering like the happiness that I thought would last forever, able to shrug off easily the sadness of those years, clawing to protect them all. Failure unimaginable. I listen to that music. Friday evenings usually.
When Madeline returns far too late, after 11pm, I like to think that she has been out trying to capture what she used to scorn of my festive Friday nights out, when she was pregnant with Aaron and I would not stay home with her though her eyes begged she wanted me to stay. I like to think that she was the woman who made heads turn to see her drawing up in the Mercedes Benz I bought her three months ago when she successfully made it to her second year Masters Course and only the research bit is left and she is doing it so well. I like to think of her with her girlfriends, in a corner, the table theirs, loudly chattering, the drinks flowing, and I like my imagination to stop there. I will not let myself imagine further than that. I dare not. Friday nights are the hardest.
When she is very late on Friday nights, I do not call anyone, hauling myself from my sofa in the library room. I wait because she has never failed to come back and I know she will. I walk through our home in the dark, sure of where the corners are, where the steps start and how they are, the curtains are drawn but I know the views beyond the great windows which the curtains conceal. I stride in the carpeted dark the entire house waiting.
When she does come home, in our room, I sit by our bed, watching her disrobe to go for a quick shower. Sometimes she has not been that sober and it is to crazily stagger out of them to be able to sleep without hindrance, nude and warm beside me. I can at least say I have mastered my longing. Disgust will not stop the desire from coming alive in me watching her, one part of me wondering who has been running their hands all over her, the other oblivious to all that but the wonder of how her breasts jerk as she releases them from their bra, the smooth gentleness of her rising and falling stomach, her back as she turns away from me to place her earrings in her jewelry box on her side of our bed, her thighs, I’m helpless in my wanting her inspite of everything and wanting no one else. …Marge…My Madeline…
I will reach for you, the rebuffs hurtful but not deterring, reach again till you stop fighting me, prayerful my urgency this night will communicate my sorrowing confession into redemption, my caressing fingers sink into you my unwilling exile, my lips you evade my fervent never diminishing faith in us; somehow after all this, restore what time and I destroyed, earn your forgiveness one last time, admitted once more into the sacred sanctum of your heart. Begin anew life. It is for this why I still wait up for you when my discarded pride would never have let me. To let you know. For you attempting forgotten crescendos. Urging your return. Asking you to try again like you used to. Refusing to give up. Because you are the beating of my heart. I’m the beating of your heart. I still believe this.